He defined it as such, because all of the plays emphasized the absurdity of the human condition. Fifty years after the publication of Martin Esslin's The Theatre of the Absurd, which suggests that "absurd" plays purport the meaninglessness of life, Michael Y. Bennett's. The 'Theatre of the Absurd' has become a familiar term to describe a group of radical European playwrights – writers such as Samuel Beckett, Eugène Ionesco, Jean Genet and Harold Pinter – whose dark, funny and humane dramas wrestled profoundly with the meaningless absurdity of the human condition. In the 1960s, the critic Martin Esslin coined this term of the theatre of the absurd. Martin Esslin coined the phrase 'Theatre of the Absurd' in this ground-breaking book, and the term has become part of the language just as this book has become an indispensable part of any literature and drama library: the definitive study of the playwrights who have dramatised the fundamental absurdity of the human condition. He left Austria in 1938 and in 1940 began… More about Martin Esslin In fact, many of them were labelled as “anti-plays.” In an attempt to clarify and define this radical movement, Martin Esslin coined the term “The Theatre of the Absurd” in his 1960 book of the same name. . First published in 1961 and revised several times owing to its enormous success, Martin Esslin’s book-length survey The Theatre of the Absurd attempted to identify and classify this new trend in drama, lassoing a range of writers who emerged in the 1950s, chiefly Beckett, Ionesco, Adamov and Genet. Martin Esslin 17 followers Martin Julius Esslin OBE (6 June 1918 – 24 February 2002) was a Hungarian-born English producer and playwright dramatist, journalist, adaptor and translator, critic, academic scholar and professor of drama best known for coining the term "Theatre of the Absurd" in his work of that name (1961). He read Philosophy and English at Vienna University and graduated as a producer from the Reinhardt Seminar, the well-known dramatic academy. The absurd factor present in these plays was about the reaction of man towards the world without any concrete meaning. It is a testament to the power and insight of Martin Esslin's landmark work, … Martin Esslin was born in Budapest and educated in Austria. Esslin’s other books include Brecht: A Choice of Evils (1959), The Anatomy of Drama (1965), The Peopled Wound: The Work of Harold Pinter (1970), Artaud (1976) and The Age of Television (1981). Etymology. Le thГ©Ð“Ñžtre de l'absurde , Martin Esslin, 1963, Drama, 456 pages. Esslin gathered all those plays who were revolving around the Absurd theme. About Martin Esslin. Esslin says that their plays have a common denominator — the "absurd", a word that Esslin defines with a quotation from Ionesco: "absurd is that which has not purpose, or goal, or objective." 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